Now Selling Signed Copies of Hereville!

Hey, folks. What with Chanukah and that other holiday coming up soon, I wanted to let you know that I’m selling copies of Hereville. Go here for all the details, or if you’d rather not see the details, you can go directly to my Big Cartel page.

Of course, you can also buy unsigned copies from all the usual booksellers. 🙂

Three comments on the Tony Harris kerfuffle

(Warning: This post contains some content raged “PG,” and maybe even “PG-13,” including mentioning b**bs and a couple of uses of the F word. Also, in case any readers don’t know this word, “cosplay” means, basically, going to a convention dressed up as a character, usually a character from genre fiction. “Cosplayers” are those who “cosplay.”)

1) You’re embarrassing us, Tony.

Just for the record, as a professional comic book creator, a lifelong comics fan, and someone who attends comic book conventions, I am happy to be sharing a subculture with cosplayers. Cosplayers don’t have to prove they are “true nerds.” They don’t need admission to the club, because they’re already in it.

I’m also not embarrassed to be sharing my subculture with what Tony Harris calls “a LOT of average Comic Book Fans who either RARELY speak to, or NEVER speak to girls. Some Virgins, ALL unconfident when it comes to girls…” I don’t agree they’re the norm, but yeah, there are some guys like that at cons. They’ve got problems to overcome, but who doesn’t? Many of them are really nice, albeit socially clumsy.¹

But do you know who I AM embarrassed to share my subculture with? Tony Harris. Because he wrote this.

Hey! Quasi-Pretty-NOT-Hot-Girl, you are more pathetic than the REAL Nerds, who YOU secretly think are REALLY PATHETIC. But we are onto you. Some of us are aware that you are ever so average on an everyday basis. But you have a couple of things going your way. You are willing to become almost completely Naked in public, and yer either skinny( Well, some or most of you, THINK you are ) or you have Big Boobies. Notice I didnt say GREAT Boobies? You are what I refer to as “CON-HOT”.

It is humiliating for me to read that and realize that I’m sharing a profession and a nerd culture with the author.

And unfortunately, Tony Harris doesn’t stand alone.

2) Which comic book culture do you want to be part of?

There’s the comic book culture in which women (and especially female cosplayers) are objects of suspicion.² “What the hell are you doing here? Are you a real nerd or just pretending? Here, let me quiz you on Star Trek.” There’s the comic book culture in which a major artist posts in his public Facebook area that he finds most female cosplayers to be “quasi-Pretty-NOT-hot” and to have less than “great” “boobies,” and makes it clear that as a “rule” he considers most female cosplayers to be intruders in his space.

Or there’s the comic book culture in which we react to someone of either sex dressing up by saying “wow! You look really neat!” A culture that welcomes new people and assumes they belong there.

We can hang up a sign that says “Private, boys only, keep out!”³ A culture in which only the hardiest women will show their faces, because being treated like a suspicious outsider simply isn’t fun.

Or we can hang up a sign that says “We love our toys, and maybe you will too! Come in and share them!” A culture in which cosplayers keep on attending cons and making them more colorful and interesting for everyone. A culture in which everyone who loves nerd culture – even if they don’t love it in the exact way Tony Harris believes is the One Correct Way – can feel welcome.

Why would any thinking person want to live in the former culture, when the latter culture is an option?

3) A bit of fisking.

In a follow up comment, Tony Harris wrote:

So I am a Misogynist? Why?

Oh, has this not been made clear? Well, then, let me explain.

I’m not going to say you’re a misogynist, because I don’t know you, and I’m sure there are sides to you other than the ugly side you showed us yesterday. But I will say that your rant was very misogynistic.

Your rant was misogynistic because of the over-the-top display of bitter fury towards women you disapprove of; because of the sneering at women’s bodies and breasts that you deem insufficiently “GREAT” for your refined tastes; and because it was yet another attempt by a male nerd to play gatekeeper and declare which women are and aren’t True Nerds.

Because I frown upon Posers who are sad, needy fakers who use up all my air at Cons?

They’re not “sad, needy fakes.” They’re people having a good time while at a comic book convention, and for some reason that makes you furious.

And the air? Not yours. Everyone gets a share. (Jesus Christ, Tony, get a fucking grip.)

Sorry, while you Cos”Play” Im actually at work. Thats my office. Fuck you.

Hey, Tony, that’s my office too. So, speaking as an officemate, can I beg you to knock it the fuck off? Those people you’re sneering at are customers. Without them, neither of us will make a living.

Sure, most of the cosplayers aren’t there to buy my comics (or yours). But most of everyone at a con isn’t there to buy my comic (or yours). There are approximately a billion zillion comics available to buy at a con, and most fans aren’t going to buy more than a handful. We set up “office” for the chance to sift through thousands of fans to find the tiny percent who are looking for our stuff.⁴

By the way, cosplay is one of the very few things at comic book cons that little kids can enjoy. That’s my future customer base, officemate, so please don’t dis something that’s actually making comic book conventions fun for them.

I actually dont hate women, I dont fear them either. Nor do I mistrust them. I do not portray or Objectify half naked women in my work. I never have. I have always been VERY vocal about my dislike of that practice, and that my view is and has been that T&A in comics is a Pox.

I don’t think I agree that T&A is a pox, but I think the way that T&A predominates in comics is a pox.⁵ So we’re not far apart on that.

More importantly, it’s great that you’re working to avoid misogyny in your comics. Really, it is. (I work at the same thing in my comics). I also think it’s great that you love and respect your mom, your wife, and your daughters, as I saw you mention in another Facebook comment. However, you seem to think that these things are inoculations – that because you’ve created some non-misogynistic comics, and you love the women in your life, that means that you’re immune from ever saying anything misogynistic, and anyone criticizing your words for sexism must be wrong.

That’s not how it works, dude.

If you write a post saying that five times five is ten, then that’s wrong. And if a dozen people point out to you that “5×5=10” is wrong, it makes no sense to defend it by saying “but look at all these other times when I’ve done the math correctly!” Yes, it’s great that you did the math correctly all those other times. But that doesn’t magically mean that you didn’t mess up this time.

It would be better if you worked on understanding why everyone’s saying you screwed up, and learning not to screw up that way again, rather than just going on and on about how it’s completely unfair of us to say that “5×5=10” is wrong, don’t we even remember that time you said four times six is twenty-four?

UPDATE:

Just saw this comic drawn by sailorswayze on tumblr, and couldn’t resist including it here:

UPDATE 2: John Scalzi has an explanation for this bizarre phenomenon.

FOOTNOTES:

1. I don’t deny, by the way, that there are some guys at cons who are really shy and socially clumsy, and who are also mean, misogynistic, and rude. But the problem there isn’t the shyness or clumsiness, it’s the other stuff. [↩]
2. Cartoonist Colleen Doran tweeted, “Those kitty cat ears may be the end of comic book culture as we know it. Please keep wearing them. Thank you.” [↩]
3. As comics writer Gail Simone tweeted, “Remember, kids, it’s very important that we do everything possible to make sure new people don’t try to become part our medium/hobby.” [↩]
4. But what about cosplayers who just don’t buy comics at all? Well, so what? Some action figure collectors go to cons for the action figures, and don’t have much interest in comics. Oddly, no one questions their interest in comics, or their right to share the air. Because they’re mostly men. [↩]
5. By the way, why are there so many T&A posters featuring zombies at comic cons? I know a lot of artists like drawing both boobs, and rotting corpses, and apparently they figure that drawing both at once will be twice the fun. But, speaking as a con-goer, it’s just gross. [↩]

Hereville 2 Premiere Event, Thursday the 15th in Portland!

What: Hereville: How Mirka Met a Meteorite book premiere.
When: Thursday, November 15, 7:30pm.
Where: Powell’s on Hawthorne, Portland, Oregon

For those of you in or near Portland, Oregon, please come join me at Powell’s on Hawthorne, 7:30pm on Thursday.

I’ll be there to sign books, answer questions, and show a slideshow (including a super-cool animated film of my drawing process). There will be a reading from one of the Hereville books. For the first time ever at a Hereville event, long-suffering Hereville colorist Jake Richmond will on hand to answer questions and sign books.

About Hereville: How Mirka Met A Meteorite

Hereville: How Mirka Met a Meteorite is a sequel to Barry Deutsch’s cult hit kid’s graphic novel (is there such a thing as a cult kid’s graphic novel) about “yet another monster-fighting 11-year-old Orthodox Jewish Girl.” It’s published by Abrams Books, through its Amulet imprint, and features writing and art by Barry Deutsch and colors by Jake Richmond.

Story: Mirka thinks she’s ready to be a sword-fighting hero – but she’s totally unprepared for having to save the town from a meteorite strike! But things get even more complex when the meteorite is turned into an exact duplicate of Mirka – except “stronger, faster and prettier,” as the Meteorite would be the first to say. Action and adventure gets mixed with an identity crisis turned to flesh, and Mirka must not only be brave but also make a leap into empathy to make things come out right.

Reviews:

Kirkus (starred review):

Watching Mirka fight the seemingly perfect version of herself is riveting. Deutsch has created a wonderful world in Mirka’s insulated Orthodox village and continues to capture it adroitly—though he has left himself enough room to blast Mirka out to space without readers batting an eye. Mirka is unflinchingly likable because she is so tempestuous and inexact, and really, who can’t relate to that?

This truly clever series is lots of fun.

School Library Journal (starred review):

The endlessly creative panel and perspective work adds visual interest and gives experienced graphic-novel readers plenty to savor. A well-crafted addition to a truly distinctive series.

Horn Book:

Deutsch again melds fantasy, realism, and a whopping dose of imagination, incorporating both the particularities of traditional Judaism and the universal foibles of a girl who dreams big but forgets to plan ahead.

Comics Worth Reading:

Deutsch has become even more accomplished in his story construction, clearly and cleverly setting up later plot points through small, funny scenes early on. His facility with expression continues to be a high point, with Mirka’s reactions, and those around her, entertaining and involving.

Booklist:

Deutsch continues his delightful and unique series featuring a modern Orthodox Jewish girl who is often bolder and braver than most 11-year-olds (boy or girl) might be…. Deutsch is a masterful storyteller.

Starburst Magazine:

…Magical, scary, funny and deeply emotional. Here is a book that is asking your children ‘what sort of person do you want to be?’ In a culture so caught up with cheap reality television and tabloid sensation, this is a little reassuring voice in the crowd. Its central message is all about being the better version of yourself, and perhaps not in the way we expect.

If you have a young daughter into which you’d like to instill a deep and profound love of graphic novels you could do worse than slipping How Mirka Met a Meteorite into their stocking this Christmas.

About the Author

Cartoonist Barry Deutsch lives in Portland, Oregon, in a bright blue house with bubble-gum pink trim. His 2010 graphic novel Hereville: How Mirka Got Her Sword was the first graphic novel ever to win the prestigious Sydney Taylor Award, and was also nominated for Eisner, Harvey, Ignatz, and Nebula awards. Deutsch won the national Charles M. Schulz Award for best college cartoonist in 2000 and was nominated for Comic-Con’s Russ Manning Award for Promising Newcomer in 2008. He is currently working on a third Hereville graphic novel.

Blog Hop! Blog Hop!

I’ve been asked by poet and my “Alas” co-blogger Richard Jeffrey Newman to partic­i­pate in a Blog Hop in order to intro­duce new authors to new read­ers. If you’ve come here from the link posted on Richard’s blog, wel­come! If you’re a reg­u­lar reader of mine or came upon my blog by chance, this is an oppor­tu­nity for you to get know some­thing about my new graphic novel, and to check out some writ­ers and cartoonists who might be new to you by fol­low­ing the links at the end of the post. They are all fine creators whose work I would highly rec­om­mend. Again, spe­cial thanks to Richard Newman, from whom I swiped most of the text in this intro paragraph.

Ten Inter­view Ques­tions for The Next Great Read

Q: What is the work­ing title of your book?
A: Hereville: How Mirka Met a Meteorite. It’s a new book just hitting stores (including online stores like Amazon) this week.

Q: Where did the idea come from for the book?
A: This is a sequel to my earlier book, Hereville: How Mirka Got Her Sword. So I already knew most of the characters and the setting before I began work on this book. The books are about Mirka, who I describe as “yet another monster-fighting Orthodox Jewish 11-year-old girl.” For this book’s story, I did a variation on the old “evil twin” storyline, although in this case the twin isn’t evil so much as self-centered. The idea was to confront Mirka with someone who is in many ways her idealized version of herself – strong, fast, not worrying about what others think of her — and to let the story grow from there.

Q: What genre does your book fall under?
A: All-ages fantasy. Also, I should mention that it’s a “graphic novel,” aka a comic book.

Q: Which actors would you choose to play your char­ac­ters in a movie ren­di­tion?
A: Geez. You know, I’ve never tried to answer this question before. If I could use a time machine, so I could hire kid actors who have since grown up, I might cast Abigail Breslin as Mirka, or maybe Chloe Moretz. Or the 11-year-old Kirsten Dunst. I have no idea if any of these kid actors are Jewish, though. To play the grown-ups, my fantasy cast might be Jennifer Jason Leigh or maybe Dianne Wiest to play the Witch, Stephen Fry or John Lithgow to play the Troll, and Allison Janney to play Fruma.

Q: What is the one-sentence syn­op­sis of your book?
A: Eleven-year-old wanna-be hero Mirka saves her town from a meteorite, but finds herself stuck with an identical twin who’s better at everything than she is.

Q: Will your book be self-published or rep­re­sented by an agency?
A: This book is published by Abrams. My agent is Judy Hanson.

Q: How long did it take you to write the first draft of your man­u­script?
A: Writing the script for the comic took me three months, or eight months, depending on if you count I spent writing stories that ultimately were not used. Then it took me nine or ten months to draw it.

Q: What other books would you com­pare this story to within your genre?
A: In their review of this book, Horn Book compared it to Raina Telgemeier’s books Smile and Drama and Vera Brosgol’s Anya’s Ghost. I am very happy to be listed in company like that!

Q: Who or What inspired you to write this book?
A: All the Hereville books are, in part, heavily disguised autobiographies. The first Hereville book was about wanting to be a cartoonist but not knowing how to get started. This book, the second one, is about starting to realize your ambitions but realizing that it’s never as simple or satisfying as you’ve imagined.

Q: What else about your book might piqué the reader’s inter­est?
A: I think a lot of people are initially tickled by the concept of a fantasy-adventure novel in which the main character is an 11-year-old Orthodox Jewish girl being raised in an Orthodox community. But what makes it worth reading, I hope, is that the Judaism in the books isn’t a gimmick or exoticized; it’s the setting in which the characters’ live their lives. I try and present the cultural aspects in as non-exotic and matter-of-fact a way as I can, and I think readers appreciate that.

Also, there are some exciting action sequences. Or I hope they’re exciting, anyway.

Here are the writ­ers and cartoonists whose work you can check out next:

• Cassie Alexander
• Ken Koral
• Kip Manley
• Jake Richmond

Watch out for their “Blog Hop” interviews on November 7th.

My New 24 Hour Comic: “Leaving The Bedroom”

Yesterday (October 20) was 24 Hour Comics Day!

What’s a 24 Hour Comic, you ask? It’s an invention of Scott McCloud’s:

To create a complete 24 page comic book in 24 continuous hours.

That means everything: Story, finished art, lettering, color (if applicable), paste-up, everything. Once pen hits paper, the clock starts ticking. 24 hours later, the pen lifts off the paper, never to descend again. Even proofreading has to occur in the 24 hour period. (Computer-generated comics are fine of course, same principles apply).

Although one can do a 24-hour comic any day of the year, it’s more fun to do it in tandem, hence 24 Hour Comics Day. Yesterday, at the studio where I work, myself, Jake Richmond, Ben Lehman, and Alan Ward all did 24 hour comics.

So here’s mine. It’s silly and not enormously well written or drawn, but perhaps you’ll enjoy it anyway. And it not, at least it won’t take more than a few minutes to read.

Continue Reading…

Book Trailer For Hereville 1

Hereville: How Mirka Met a Meteorite’s release date is November 1, but it seems that some copies are showing up early… I heard on twitter yesterday that someone had bought one at a store. Very neat!

But in the meantime, I got this nice email early this month:

My name is Ellen Gustafson, and I am currently a student working towards a master’s degree in School Library Media at the University of Michigan. For a class assignment, I have been asked to create a video book trailer for a book of middle school or young adult fiction–I would love to create a book trailer for Hereville: How Mirka Got Her Sword.

I could not say “YES” loudly enough! So here is Ellen Gustafson’s very cool trailer for the first Hereville book. Thanks, Ellen!

WOOOOO! Advance copy of Hereville: How Mirka Met a Meteorite!

The troll on a break, drawn by Ken Koral

My friend Ken Koral, who does the excellent horror webcomic Eventy-Seven, did this hilarious drawing of the troll from Hereville.

Is that awesome or what?

Hereville 2 Title Page Pencils!

So Hereville 2 is nearly done! I’ve drawn all the story pages and the cover, and I just finished penciling the title page a few minutes ago. Jake is blazing along on the colors. I want to go back and revise some drawings I’m not happy with, but basically, my part is done.

After all these months of drawing, it’s hard to imagine that eight days from now I’ll turn the pages in and have no more drawing to do! What will I do with my time?

(Answer: Begin writing Hereville 3. But I also plan to do some more of the things I haven’t had time to do in the last half-year, such as blogging and laundry.)

Anyway, here’s the penciled title page, subject to the approval of the nice folks at Abrams:

Welcome to my new collaborator Tina Kim!

So here’s a big change for Hereville book 2: a new collaborator! Cartoonist Tina Kim has joined what must now be called the Hereville team and will be drawing environments (aka backgrounds) on about a third of the pages. (I’ll be drawing the backgrounds on the remaining pages).

Before I began Hereville, I had always worked alone (other than some collaborative comics done in high school). What I’ve found, working with Jake (who provides Hereville’s distinct colors) and now Tina, is the wonderful thrill of being surprised by how great their work is, most of all when they approach a problem or a scene in a way I wouldn’t have thought of myself.

Here’s a sample of Tina’s Hereville work. Thanks, Tina!