Layele is one of Mirka’s sisters, and is about 6 years old. She really didn’t appear much in books 1 or 2, but is a major character in book 3.
One thing I’m trying to do is make a different sibling the “primary sidekick” in each Hereville book. So in book 1 the “primary” sibling character was Zindel, although Gittel and Rochel got some nice screen time too. In book 2 the “primary” sidekick was Rochel, and Zindel was present as well, but poor Gittel barely appeared. In book three, Layele will be the primary sidekick. I have an idea for a plotline in which Gittel is the primary sidekick – which would be interesting, since Gittel is older than Mirka and would try to assert authority over her – but that would be for a future book.
My newest sketchbook page, “Starface.”
I saw the “field of faces background” in another cartoonist’s drawing on Facebook and thought “I am definitely swiping that idea,” but now I can’t find the other cartoonist to credit her. Sorry, whoever you are.
Here’s a scene that I ended up 90% rewriting, between a very small Mirka, years ago, and her Mom. I like this scene, but what I replaced it with fits better into the larger story.
These are what I call my “stick figure layouts,” where I don’t do any actual drawing, but I figure out the final script and the layout.
It’s always fun being interviewed by Steven Bergson of Jewish Comics Blog, because he’s so prepared and knowledgeable. Here’s the first few questions from the interview he just posted:
To read my answers to these and Steven’s other questions, head on over to the Jewish Comics Blog.
The latest issue of “AJL Reviews,” published by the Association of Jewish Libraries, includes a review of the second Hereville book! Here’s their concluding paragraph:
Thank you to Aimee Lurie, who wrote that review (and I’ve met her in person and she’s totally nice, too!).
Under Mentions and Reviews
Just saw “Rear Window” for the first time. What a stunning, amazing movie!
Actually – hard as this is to believe – as of a few days ago I had never seen any of Hitchcock’s movies. Now I’ve seen “A Shadow of a Doubt,” which was wonderful (and surprisingly feminist in some ways), and “The Lady Vanishes,” which didn’t do as much for me.
But “Rear Window” was so perfect that I have a hard time imagining any of his other movies will match it, for me. As well as being incredibly cleverly written, it has a lot of elements that I’ve always found appealing: Storytelling constructed around a severe technical limitation (in this case, that nearly all of the story is told using shot angles that Jimmy Stewart’s character could see from his window), a claustrophobic setup, the close urban neighborhood, and the comic-strip like storytelling of the neighbors lives viewed in panel borders (aka windows).
If you’re familiar with “Rear Window,” I’d recommend taking three minutes and watching this amazing version of the entire movie as a single panoramic view.
Bechdel test report: All three movies pass the Bechdel test, although “Shadow of a Doubt” just barely passes (because of a conversation between the protagonist and a grumpy female librarian). I was also struck by the “no one will believe you, you’re a woman!” theme in all three movies – even in Rear Window (where the male protagonist is also disbelieved), the police detective shows a special disdain for Grace Kelly’s testimony, and comments that he’s never heard a theory from a woman that hasn’t been a waste of time.
Under Blog and News
…And the same drawing rotated 180 degrees.