This sort of thing is surprisingly fun to do. And surprisingly time-consuming, as well.
I’ve left the word balloons off to avoid spoilers. But it’s a shame, because one of my favorite word balloon shapes in the whole book is on this page!
Bellechere, a professional costumer and popular cosplayer, has posted that she won’t be attending New York Comic Con, despite having a pass.
In an update, Bellechere reports that ReedPop (the company that runs NYCC) finally got in touch with Bellechere after Bellchere’s post – apparently they are saying that her previous emails (sent through their online “contact us” form) were not received.
I don’t know Bellechere, but what she’s gone through should make everyone in comics culture furious. I hate this shit, because it’s horrible that bullies win, because misogyny sucks, and also because as a comics professional I want the comics community to be so much better than this.
In the past, when I’ve gotten into arguments about threats like those against Bellechere, I’ve been told that they shouldn’t be subject to legal penalty because free speech. There is a reasonable concern about the possibility of government overreach, although that concern can be overstated.
But the most relevant free speech issue here is that Bellechere’s right to free speech. Somehow, people rarely seem as concerned about Bellechere’s free speech as they are about the free speech of the people making the threats. Bellechere has effectively lost her right to free speech when she’s chased away from public events by rape threats that our legal system refuses to address. Let’s begin protecting free speech by addressing Bellechere’s lost right to free speech.
That the FBI and the NYC Police apparently refuse to take rape threats against a woman delivered over the internet seriously is no surprise, but it is appalling, disgusting, and misogynistic as hell. They should be ashamed. ReedPop, who runs NYCC, should be ashamed, embarrassed, apologetic, and falling all over themselves to explain how they’re going to fix this so Bellechere can safely attend next year’s NYCC. (To their credit – and the credit of the feminist website The Mary Sue, which has been pushing NYCC on this issue – their website now sports a clear anti-harassment policy, and they’ve put up signs like this one at NYCC. But how vigorously they address the threats against Bellechere is one way we’ll know how seriously they’re taking their new policy.)
The comics community doesn’t have to belong to the sexual harassers and the dirtbags who make threats. It should belong to professionals who love comics and want it to be a place for all our fans, girls and women included. It should belong to fans, including fans like Bellechere, who show their love for the stories and characters by bringing their own creativity to cons. And it should belong to kids like my nieces Sydney (10) and Maddox (8), who love cosplaying at conventions and are big fans of well-known cosplayers like Bellechere. I hope they’ll continue being fans and cosplayers as they get older – and I damn sure hope that they never get threatened the way Bellechere’s been threatened.
The US already has laws against “true threats” which make it a felony to make a threat of violence that a reasonable person could take seriously. But our legal system refuses to take “true threats” delivered via the internet seriously. That must change. The person who threatened Bellechere should be arrested, should be enjoined with threat of prison from ever again contacting Bellechere or being within 500 feet of her, and very possibly should spend time in prison (or perhaps a halfway house or some form of mandated therapy). Until that can happen, Bellechere and others who are threatened will not have full access to their free speech. And that is the most pressing free speech issue here.
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Some recommended reading regarding misogynistic threats on the internet:
Under Blog and News
There have been two superhero changes announced this week, both to fairly big-name characters. That means nothing in the long run, because big-name characters always revert back to the original form after a while, but that’s also what’s sort of cool about these mainstream comic book characters – they can continuously be retold and rebuilt in different ways, and if you don’t like the new version, just check back again in a year or two.
First of all, Marvel Comics announced that Thor will be a woman (thanks to Guthrie for pointing this out in comments). See, in the Thor comic book, anyone who is worthy (noble, brave and so forth) and picks up the big Thor hammer becomes a new incarnation of Thor (a fairly blatant imitation of Green Lantern’s ring). I don’t think this has come up in quite a while, but in the classic Walt Simonson run in the 1980s this feature was used to make Thor an orange-skinned alien named Beta Ray Bill for an extended plotline. He was also a frog for three issues.
Anyway, the new Thor:
I’m feeling underwhelmed by this costume design. First of all, boob-plates suck as armor. And is that a belly window below the boob plate? No, no, no. Plus it’s sort of a dull design – if Marvel had gone for a female Thor a quarter-century ago, it might have looked like this. It says “female Thor,” but it has no personality beyond that. Points for giving her pants, I guess.
But what about the coolness factor of Thor being a woman? Well, it might be cool, if the comic is well-written – but this costume design doesn’t bode well, because it suggests that they didn’t give much thought to this beyond the gimmick. Also, this particular character change comes with an exparation date, because there is no way Marvel won’t have Thor revert to being a big buff guy by the time either Avengers 2 or Thor 3 come out.
Meanwhile, over at DC, fan-favorite feminist writer Gail Simone’s run on Batgirl is coming to an end.1 Interestingly, rather than continuing the mood of Simone’s run – which has been classic Bat-book grimdark – the new creative team has decided that Barbara Gordon will lose all her possessions (and her current costume) in a fire, move to Gotham’s equivalent of hipster Brooklyn, attend grad school, and have a tone that they claim will be a mix of “Veronica Mars,” “Sherlock,” and – implausibly – “Girls.” Here’s the new costume design:
This is a MUCH better costume design – recognizably Batgirl, but full of personality and telling a story. (After the fire, the character puts together a new costume out of thrift store finds.) Dean Trippe at Project Rooftop (a superhero costume design blog) writes:
Also, all the seams in DC costumes since the “new 52″ design have really annoyed me, because they look inauthentic – as if the designer doesn’t know what seams are or how they function. In contrast, the seams here not only look good, they look plausible.
Will the comic be any good? I hope so. It’s possible that the creators will end up doing a charmless book full of sexist “she’s so girly and silly” cliches. But the costume bodes well – it suggests that they have a strong concept and have thought it through. And I like that there are women on this creative team (as there were on the previous team, of course).
P.S. There’s an amazing amount of new Batgirl fanart already.
P.P.S. The “NOT spandex” note and illustration cracks me up. (“Spandex” is a superhero term of art meaning “body paint,” it appears.)
I can just make up outfits on the fly, rather than stopping drawing pages to design an outfit, but the resulting clothing tends to be extremely repetitive and bland. Much better to try and think the outfit through, and wind up with something that doesn’t look exactly like all the other outfits I’ve drawn Fruma in. (Although it’s clear that Fruma likes horizontal stripes, since I think this is the third or fourth time I’ve used horizontal strips in one of her outfits.) I haven’t shown Fruma wearing boots before, but this story takes place in the autumn, so I think boots make sense.
I like this outfit; it seems to occupy a point partway between frumpy and pirate.